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“Part of the battle in network television is having the network you’re on be very excited about your show, especially because it’s a tough landscape for network comedy.” “NBC really likes live TV so I knew that it would make them excited,” Lawrence admits. The creator’s notion points to the new wave of live programming, which NBC has found much success in with Neil Patrick Harris’ “Best Time Ever,” and, of course, the likes of “The Voice” and “America’s Got Talent.”
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Sztykiel adds, “Even if it’s an epic disaster, it will still be more interesting than a normal regular half-hour or hour of TV.” It’s not like ‘SNL’ where we can just drop a sketch - if we drop a scene, the show doesn’t make sense, then.”
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“So if they’ve added two minutes of jokes and we no longer have room for the two scenes left to resolve the story, in the commercial break, we have to figure out how to make the story end. And when these guys add material, we have to cut things and still have the show make sense on the fly,” Lawrence explains. “The only thing that’s really complicated, we face a computer screen that tells us how much time we have left. If there is any concern, it’s for technical choreography or the fact that talent will be so funny, scenes will run overtime - and with a live show, there’s no luxury of the editing room. “We think they’re endearing and so we’ve kept them on the show.” They aren’t fake laughs,” Lawrence tells Variety. “If you watch any of the old episodes, these people all laugh at each other so much and I feel like people in sitcoms on TV don’t usually laugh on camera and they’re real.